As part of a university assessment this project aimed at getting as close to the original track as possible. I recreated the sampling methodologies using DJ controllers and sample pads. All automation was done manually for that ‘human’ feel.
A composition deeply personal to me. This entire piece is created from field recordings in my journeys to and from university. The magic of the piece really stems from the processing including spectral freezing, resonance manipulation, sampling and envelope manipulation.
In an attempt to capture and appreciate the works of Jerry Wexler, this project was tracked and mixed with the same restrictions of contextual 1960 conditions. All instrumentalists were tracked to tape, with all processing being confined purely to analogue units. I also feature as the piano player in this track.