Employed as an engineer and producer, this track was recorded as a full band to capture the ‘liveness’.
This project was handed to me after the band had tracked in a rough tracking session with another engineer. I mixed together the supplied stems.
This is part of a production collaboration. Grace based a lot of this track around the calls with family and friends and I really played into that within this production.
This task was supplied as part of a university assessment. I was tasked with envisioning a new version of the extract from Series 1 Episode 1. All music, sound effects, foley and ADR was recorded and processed into a 5.1 surround sound mix.
Part of a university assignment, this EP focuses on the production of classical recordings. Two of these pieces were recorded in a concert hall, With one being recorded in a studio and then blended in using an impulse response from that concert hall.
A composition deeply personal to me. This entire piece is created from field recordings in my journeys to and from university. The magic of the piece really stems from the processing including spectral freezing, resonance manipulation, sampling and envelope manipulation.
In an attempt to capture and appreciate the works of Jerry Wexler, this project was tracked and mixed with the same restrictions of contextual 1960 conditions. All instrumentalists were tracked to tape, with all processing being confined purely to analogue units. I also feature as the piano player in this track.